i rush to write this even before i've finished listening to all the tracks - nz electronic musician rhian sheehan's new album 'standing in silence' is a triumph.

i've long been a fan of ambient electronic music probably since it subliminally forced its way into my young subconscious via endless hours of my brother playing the likes of tangerine dream, vangelis, jean michel jarre and other synth geniuses.

anyway, in recent years i've developed a distinct taste for artists like m83, mogwai, sigur ros, mum etc often from the chilly climes of the northern hemisphere. i've always liked rhian sheehan too, but not this much...

his new release channels a whole lot of great stuff, and i can hear a bit of mum in there and sigur ros, maybe a touch of vangelis. it also reminds me of the soundtrack for the aussie film 'somersault' by decoder ring.

to make it that much more tempting, you'll find it on itunes for NZ$11.99 in a non-drm high bitrate form (also on emusic). 14 tracks of absolute goodness for 12 bucks!

three for free

when the internet is functioning at its best, stuff is free. here's a little round-up of three websites that made me say, "wow, i can't believe they are giving that away for free."

www.freedocumentaries.org - i can't remember where i first came across this site, but i think it's great. on freedocumentaries.org you can watch political / social documentaries for free, streamed through google video. there is a good helping of not so well known docos but also stuff by the likes of micheal moore. i'm not trying to endorse (or otherwise) these documentaries, but here's a little list of world-recognised films that you can watch for free on the site:

- an inconvenient truth
- bowling for columbine
- SiCKO
- the road to guantanamo (recommended)
- super size me
- born into brothels (recommended)
- enron: the smartest guys in the room

www.readymademag.com - ReadyMade is apparently a pretty well known magazine in north america - it offers all sorts of design projects that you can do at home. it's all class. and now they are offering their new issues in digital form for free. check out the latest version here. brilliant stuff.

www.bethinking.org - here's a christian resource for you. bethinking.org is a uk-based website that offers loads of mp3s of various academics etc talking about social and religious issues from a christian point of view. also preserved here are talks by the likes of schaeffer and rookmaaker. i'd spend a lot more time of this site if i had more time.

on the headphones: 'how can i be sure?' by dusty springfield, from the album 'the very best of dusty springfield'.

nz culture down ya

it's time to get some new zealand culture down ya. here's a round-up of some recent kiwi dvds and cds i've noticed...

cd - liam finn: i'll be lightning. this has been out for a while now, but i hear it's being released soon in the usa. to the mention the usual patter first: liam finn is the son of crowded house's neil finn. even though this fact has been said a million times before, i think it is quite important. there is a musical heritage at work here - liam's uncle tim is also a key nz musical figure, having started the seminal nz band split enz. i have a photo book that came out in 2000 called 'once removed', essentially a behind the scenes look at neil finn's touring life. the young liam lurks in the background of lots of the photos in the book. he's been immersed in music all his life and this matures in 'i'll be lightning'. it's a brilliant, eclectic album, and i have a hunch that it will get pretty big in the states.

also, i need to mention the cover art for this cd which features liam's own very cool photography. given that he plays all the instruments on the album and also provides the artwork for the cover, we have one seriously talented kid here. check out the liam finn cnet in-studio appearance here.

cd - little bushman: pendulum. this is little bushman's second album. i'm not sure how to describe it. the band is the baby of former fat freddy's drop member warren maxwell, who is rapidly cementing a fine reputation in the nz music scene. while fat freddy's drop is a roots-dub experience where maxwell played the saxophone (i think), little bushman is a different kettle of fish. maxwell explores all kinds of musical styles but somehow manages to make it all gel into a unique style. the underlying rhythm tracks are incredible. a socially-conscious album with forward momentum and musical skill.

oh, and one dollar from the sale of every cd goes to unicef to help support gareth morgan's water management project in tanzania. gareth morgan is principally using the proceeds that he received from the sale of a little company his son started called 'trademe'.

dvd - out of the blue. in november 1990, the year of nz's 150th celebrations, the country was rocked when a gunman went on a murderous rampage in the quiet otago town of aramoana. that's only 17 years ago, and it's still pretty fresh in people's memories so it was always going to be a gutsy call to make a movie about it. if the subject had been treated with even a little bit of the sensationalism of hollywood movie-making it would have been a total failure - a completely tasteless and inappropriate project. i have rarely seen any subject handled with the tenderness that director duncan sarkies achieved in making 'out of the blue'. the film doesn't pull any punches but is completely free of sensationalism. even the soundtrack, a minimalist piano piece, doesn't attempt to stimulate the emotions of the viewer. karl urban in the role of the first police officer on the scene is brilliant - urban, in my opinion, is the finest actor produced by nz in the last 10 - 15 years. 'out of the blue' is one of the best films i've ever seen from anywhere in the world. as dominion post reviewer graeme tuckett said, "impassioned, dignified and damned near flawless."

dvd - flight of the conchords. and now for something completely different - from the other end of the nz cultural spectrum. i've talked about flight of the conchords before in my post about eagle vs shark. anyway, to recap, jemaine clement and bret mackenzie are two incredibly talented nz musican-comedians who, incidentally, just won the grammy for best comedy album of 2007. they were given a contract by hbo in the states to create a comedy sitcom based on their live act. the result is very good - not perfect - but very good. always entertaining and sometimes outrageously funny, the dvd of series one (yes, they've been given a second season) has just been released in nz. not a bad valentine's day present, thanks anna.

that's your nz culture round up for feb 08. get it down ya!

favourite websites of 2007

i use mozilla firefox, and under 'bookmarks' i have a folder called 'daily'. every day i go to that folder and click on 'open all in tabs'. every day begins that way - with a bowl of porridge and viewing my 'dailies' before work at my desk.

at the moment i have 20 websites on that list that i flick through. i thought i'd give a bit of an end of year round up on my 20 daily sites.

the best ones

www.stuff.co.nz in my opinion stuff is the best news portal in new zealand. it contains the combined resources of the fairfax media newspapers. this year, stuff had a redesign and after a few days getting used to new navigation it all started working great. even though the information has its basis in newspaper material, the website is well thought out and presented. i guess my favourite bit would be the daily cartoons - especially the work of moreau, which i saw for the first time this year. he is easily my favourite nz newspaper cartoonist. another good innovation by stuff was introducing a whole stable of blogs on all sorts of subjects. i only wish i had had time to read more of them.

drawn! this is an illustration blog based in canada. i can't even remember where i first came across this one, but it is really brilliant and has been constantly growing in popularity. i'm not an illustrator per se, but they serve up a great range of stuff that is visually inspiring. they also update very frequently which means that a daily visit is rewarded.

last.fm the online music networking phenomenon. i've already written about his one, so i won't go into too much detail. suffice to say that it continues to fascinate me and as of today i'm 4 songs away from hitting the 15,000 songs played mark. you can visit my page here.

dark roasted blend aesthetically, dark roasted blend is butt-ugly. but the content is fascinating. the writers trawl the internet looking for weird and wonderful material and presenting it daily based on a theme. mostly the material is visual - and in 2007 i've seen some crazy stuff on there.

stereogum this provides the bulk of my music reading. it has a north american hipster angle which can get a little bit tiring but all up i enjoy reading it and benefiting from free music downloads and staying up to date with what's happening in the world of indie music (as stereogum sees it).

boingboing subtitled 'a directory of wonderful things', boingboing (as i said in my other blog) would be the blog i'd choose if i could only read one blog. it is widely recognised as being a masterful example of blogging. the writers present an eclectic range of material on all manner of subjects and somehow 85% of it manages to be interesting.

ffffound! this is the newest addition to my daily website family. it is still in its beta form. it works by its users tagging images on the internet that they like. if more than a certain number of users tag a certain image, that image is displayed on the front page. the beta is closed, so i don't know how you become a member but it seems like the current members have pretty good taste. my only worry is that that will change, and the quality of the material will drop, when the site goes public and anyone can register. for a while, there was a bit of a spate of 'arty' pictures of girls with not much on, but that seems to have disappeared again - which is a good thing - i'd hate to see the site become one-dimensional. all up the images served up are an inspirational collage of excellent design, photography, illustration and ephemera.

yahoo! mail where would i be without this one? i know there is competition from hotmail and gmail, but i've been using yahoo! for my email for years now, and it keeps evolving in the best way. this year they added unlimited storage and a very good interface. their work has kept me satisfied with using yahoo! as my main personal email program.

the good ones

conscientious a photo blog by jm colberg in which he makes posts about his favourite contemporary photographers. i don't know enough about contemporary photography to know how useful his selection is, but i use it as a way of looking at contemporary photography and hopefully staying a little bit up to date about what is happening.


better propaganda this is a rather good music marketing website. the reason i use it is to get free legal downloads from some pretty interesting artists, and i have discovered new material this way. i visit the new releases page every day but it looks like it only updates once a week. this year they introduced a new downloading interface that is supposedly an enhancement. truth be told it gives them another opportunity to display advertising and makes downloading a lot more of a hassle - i wish they had left it as it was. still a good resource though.

crave the cnet gadget blog. i read the american one - apparently there is a uk one as well (and an asia one too i think) and i've often wondered whether maybe i should read the uk one. but all up, it a good way to keep up to date on new gadgets and techie news.

ilovetypography i guess this is a fairly specialist blog, written for (as the name suggests) lovers of typography. it started this year and is run by john d boardley, an englishman in japan. the site is beautifully presented and has fascinating articles on type. the articles are fairly long and i have to confess to never having read one right through (not john's fault, just time constraints). but i intend to read a lot of this site over the next couple of weeks while i'm on holiday.

the others (maybe getting cut from the 'dailies' in 08)

lomography.com blog i love my lomo lca camera, i love the photos it takes. it has lived up to all my expectations (except for the fact that it just stopped working - shutter jamming). and so it was a no-brainer to frequent the official lomo blog. when i first started getting into the lomo i read a lot of criticism about how the lomo society markets what should have remained an aficionado's camera or (for some people) a camera relegated to a soviet trash pile. and since reading the blog i too have started to get impatient with the lomo society and its vast number of adherents. reading the blog you see a vast amount of photography taken by people using lomos and other odd cameras and the overwhelming feeling is that most of it is really bad photography dressed up with x-processing, expired film, lomo vignetting and light leaks. most of it is rubbish but because it has odd colours the lomo society holds it up as a great example of lomo photography. i'm really starting to rebel against this idea, because i don't want anything to stand in the way of my love for my lca and the idea that really beautiful and great photos can be taken on it. the lomography blog is going to get cut from my dailies.

damn interesting when i first discovered this blog, it truly lived up to its name. and it continues to specialise in mostly fascinating articles about all kinds of odd and obscure things. just make sure you don't visit the comments section. people are alarming anti-social and often not terribly smart in that area. there is also an endless supply of pop-atheistic commentary, and often embarrassing creationist rebuttal. and all in all i've lost my taste for the site. i'm cutting this from my dailies and maybe adding it to my email feeds list instead.

give away of the day this 'blog' got off to an exciting start. the premise being that everyday the site would give away a piece of commercial software available for that day only for free. users were abuzz with what free software might be offered. and for a while i downloaded quite a bit - including two or three utilities that i use very regularly (of special mention, glary utilities and fusiondesk - the second one has changed the way i work). but then it all started to get a bit samey and it quickly became apparent that no famous pieces of software were going to be offered, and that freeware alternatives were often better. i'm torn about what to do with this site - i'm worried about cutting it because what if i miss something really good? (so the hype still hasn't completely worn off).

ephemera this is a blog about the world of ephemera collecting - like collecting old sears catalogues and things like that - in effect the art of collecting stuff that other people throw away. initially i was intrigued about this. but i feel like the interest is waning - i guess looking at this blog everyday has made ephemera less quirky to me and therefore less interesting. a good blog though for ephemera collectors.

pulp of the day every day this blog displays a pulp fiction paperback bookcover. i'm really interested in the retro artwork on these covers and it is a pretty interesting blog to look at. they also run a daily caption competition where readers make up alternative captions for the covers. but only two or three readers participate so that gets a bit boring (i don't participate). like the ephemera blog, the novelty of this one is starting to wear out a bit.

horse latitudes a music blog based in the uk. really cool layout and the uk angle is nice. principally i added this to my dailies because it is jonathan's favourite music blog, so i figured if it was good enough for jonathan... in the time i've been looking at it it hasn't captured me too much but it can stay for now.

i guess i'm floating another music blog. this one tantalisingly offers tracks for download but so far hasn't offered anything i wanted to download. probably not a keeper for me.

book by its cover the premise of this blog is very cool - it shows samples from small press and home produced art books - usually hand-drawn stuff. it's quite interesting, and can stay for now.

so that's the round up - feel free to disagree and mention your own favourite sites in the comments - all two of you.

on the headphones: 'crumble' by calexico, from the album 'feast of wire'.

how to make an art gallery

tauranga has never had the reputation for being a cultural centre. in fact, in the past there has been a noticeable lack of cultural activity. the city had a reputation, even 15 years ago, of being kind of a giant retirement village. i remember reading in frank sargeson's autobiography 'once is enough' a comment about 1950s tauranga that was something like, "the lights of tauranga had nothing to offer me but tidy gardens and pink flamingoes". it was, and still is, a suburban paradise.

over the last ten years small nz towns and cities have been getting themselves more culture, actively seeking out artistic activity to add 'flavour' to their municipal identity. recently this phenomenon has been catching up with tauranga. even in the time i've been living here (nearly 5 years) things have noticeably changed.

one such project is the establishment of a tauranga art gallery. incredibly, tauranga has never had one. the only galleries have been commercial galleries selling the kind of art that matches the sofa and looks nice in your beach house.

predictably, the project (which received council funding) was viewed with suspicion by a good sized chunk of tauranga's pragmatic rate-paying population. but a committed team has seen the project through to completion. on saturday, the gallery opened to the public.

as the building (designed by mitchell & stout) went up, i have to say i wasn't overly impressed with the external architecture. to me it looked a bit more like a cinemaplex than an art gallery and i was, and still am, worried that it will date ungracefully. but walking through the big glass doors, i was immediately captured by the interior space.

it is compact, but uses the space very well with a high ceiling in the entry area. this is also the first display space you enter. the ceiling height allows for big art pieces and alleviates any feeling that the gallery is cramped by its small size. for the opening, this area houses two-storey high works by tauranga-born mark braunias.

the ground floor has a number of intimate display areas including a small concrete-walled room that obviously makes use of the existing building - i really liked that room. in these areas, the gallery has pieces from its collection on display. and quite a nice little collection it is - featuring work by the usual suspects (hotere, mccahon et al - nz works). the wall space has been well utilised but it doesn't feel cluttered.

overhead there are semi-opaque aqua coloured panels which are part of the floor of the upstairs mezzanine. the shadows of people walking on these makes intriguing shapes when you look up at them from below. these panels are an excellent architectural feature.

the mezzanine is a nice space and has two film screening rooms at the end. on display was photographic work, and in particular the best images from 'world press photo 2007'. having that as the opening exhibit was a stroke of genius by the gallery staff: photography is a very accessible art form; the images were very emotive and you couldn't help being affected by them; it brought international work into the gallery.

actually, it was great to see how many people had turned out to have a look at the gallery. the place was packed. and it seemed as if people who had just come for a nosey, went away genuinely impacted by what they had seen. as far as art is concerned, that is the definition of success.

this is how you make an art gallery in a place like tauranga. i'm immensely proud that it is now a feature of our city. i knew having a gallery here was a good idea but now i'm completely sold. if you ever visit tauranga, make sure you visit the gallery. it'll only take you about half an hour to look around - unless you want to stay longer.

gallery site here. view the gallery space here.

on the stereo: '15 step' by radiohead, from the album 'in rainbows'.

war and peace

i did it. i read 'war and peace'. my cunning plan of reading the 'books' of war and peace interspersed with other books (to keep up my interest) paid off, and about nine months after starting, i finished.

my pleasant surprise was that war and peace is actually a cracking good book. it is such a vast and masterful work of art - combining the society intrigues of victorian novels (by austen and hardy etc) with gritty narratives about napoleonic warfare.

to quote tolstoy (from an article that he published about the novel), "I have spent five years of uninterrupted and exceptionally strenuous labour under the best conditions of life [on this work]." tolstoy doesn't hold back, and he achieves a work of grandeur that succeeds in holding the reader's attention through action and character studies.

my tactic of reading other books in between probably helped, but i actually found that i was pleased to get back to war and peace.

for tolstoy the reason for writing such a book was not mainly to entertain his readers. he had a theory about history that he was evidently very committed to demonstrating.

tolstoy says that war and peace "is not a novel, even less is it a poem, and still less an historical chronicle" [although it quite clearly contains elements of all these]. "War and Peace is what the author wished and was able to express in the form in which it was expressed."

the concept that tolstoy wants to communicate is this:

"The movement of nations is caused not by power, nor by intellectual activity, nor even by a combination of the two ... but by the activity of all the people who participate in the events... Morally the wielder of power appears to cause the event, physically it is those who submit to the power. But as the moral activity is inconceivable without the physical, the cause of the event is neither in the one nor in the other, but in the union of the two." (from the epilogue)

this is why war and peace has a cast of over 500 characters. each of them has a role to play in history, actions have ramifications. but at the same time the characters are also swept along by the events of history - participants and victims, as it were.

the only time when the narrative really slows in the book is at the end when tolstoy puts together all his thoughts about history in essay form, just in case the reader has missed the point. this break from narrative is a bit of an anticlimax but i suppose it is necessary given tolstoy's primary aims for the book. this ending shouldn't stand in the way of you reading it if you're not a history student - it comes at the very end as an epilogue, so doesn't interfere with the narrative.

all up, brilliant. highly recommended.

read more about 'war and peace' on wikipedia.

warandpeace-o-meter: finished!

the crime of olga arbyelina

the crime of olga arbyelina, by andrei makine

the local library has a few andrei makine books. it was 'the earth and sky of jacques dorme' that first introduced me to makine and i fell in love with his writing style. 'the crime of olga arbyelina' was my second outing with his work.

it all starts off with a fascinating scene that unfolds in a russian cemetery in paris. an old man tends the graves and tells stories of the people who inhabit them. visitors come to the cemetery to hear these stories, furtively listening to the old man's words and fleeing when he notices them listening. and so, he tells the story of olga arbyelina.

the first scene is of olga sitting on a riverbank in a small town near paris next to the corpse of a middle-aged man. the suspicion of course falls on olga as the murderer - evidently this is the 'crime' that the title talks about. however, the narrative then flicks back about two years, and through suggestions and finally out and out revelation, we find out what olga's hidden crime really is. incest. (yikes!) sorry if i've ruined the story for you, but that all but ruined the story for me.

makine once again shows his genius for poetic writing, but at the point of the revelation, the story becomes a dark irredeemable tragedy that ends in olga's madness and leaves the reader feeling somehow sullied by the reading experience. olga's haemophiliac adolescent son (the other party in the said 'crime') is an unlikeable ghost-like figure who drugs his mother. so it becomes pretty hard going, although makine never writes about his subject in stark and brutal terms, no matter what his characters' crimes may be. perhaps this makes it more disturbing in a way. by being captured by his gentle poetry you feel somehow implicated in the story. you keep reading, hoping for that chink of light that might reveal some hope. none comes.

even though i love makine's poetic language, in this book it sometimes feels like this language is just filling space. a couple of times, i found myself thinking that the whole novel could have been quite an effective short story.

all up, do i regret reading this book? probably. 'the earth and sky' was so much more skillfully done in terms of narrative, structure and language. and because of that i haven't given up on makine.

warandpeace-o-meter: 876/981 (volIII, bookXV, chapVII)

eagle vs shark

in the last few years, a comic force has quietly been brewing in new zealand.

in one corner we have 'flight of the conchords' - a couple of new zealand blokes - bret mckenzie and jemaine clement - who decided to sing comedy songs. they called themselves "new zealand's fourth most popular guitar-based digi-bongo acapella-rap-funk-comedy folk duo". bret mckenzie is actually a pretty accomplished musician in nz circles - playing in the black seeds and having his own music under the name 'video kid'. apparently he was also in lord of the rings. so you see he's served his time in nz creative circles. jemaine clement did all kinds of stuff - including the voice-over for the l&p ads about life in nz (unless you live in nz, you have no idea what i'm talking about). anyway, flight of the conchords suddenly became very popular - world-wide. first in the uk, where the bbc did a radio documentary thing in 2005 and then they also got a slot on hbo in the states. they played all kinds of festivals around the place, and then i saw them live in nz last year when they supported bic runga. very funny. from there they ended up getting a sitcom series on HBO. this series has just finished in the states and they have been given a second season. the first season screens in nz soon. if you've never seen flight of the conchords in action - watch this.

in the other corner we have taika waititi. taika is a general creative jack-of-all-trades. he got quite a few awards (including an academy award nomination) for a short film called 'two cars, one night'. i saw him speaking at last year's semi-permanent design conference. very funny. he met jemaine clement (the guy from flight of the conchords who wasn't in lord of the rings - as far as i know) at uni in wellington and they formed a comedy act called the 'humourbeasts'. they did a show where they reinterpreted the legends of māui (unless you live in nz you have no idea what i'm talking about). taika got together with an actor called loren horsley (she was sieglinda in 'xena: warrior princess').

out of this fertile comic milieu sprang the film 'eagle vs shark'. it was written by taika waititi and loren horsley and stars jemaine clement, loren horsley and taika waititi.

last night, emma and anna and i went to see it. anna said, "i don't normally like nz films, but this one looks quite funny." it is in the vein of napoleon dynamite - "small town nerd humour"? and a number of critics have compared it to that film, although i have no idea if taika waititi was influenced by napoleon when he wrote and filmed eagle vs shark in 2005. there is something distinctly new zealand about the characters which overseas viewers might not differentiate from napoleon.

anyway, eagle vs shark was tremendously funny and very very good, and i loved it. it didn't do very well in the states but it has debuted at 4 at the nz box office behind 'live free or die hard', 'the simpsons' and 'i now pronounce you chuck and larry'. it grossed NZ$113,999 in the first week on 27 screens, not bad when you consider that all the other films in the top 10 were on at least 40 screens. now why the heck are nz cinemas not getting behind this film? it makes me mad. honestly people, it is right up there and well worth watching. the actors were great (no weak performances), the storyline was amusing - heaps of great nz culture. it even has a little miss sunshine-esque little girl. it has poignant moments wrapped in the humour, and a great soundtrack by the phoenix foundation. new zealanders! australians! brits! peoples of the world! get to it!

watch the trailer.

on the headphones: 'to the sky' by maps, from the album 'we can create'.

SP07: the review

after last year's semi-permanent design conference i was adamant i'd be back again and i was. last year, i spent some of my time texting roly to tell him what he was missing out on - this year, he relinquished and came along. the two of us packed up and headed north, staying with my folks in kaiaua the night before and then into auckland for the conference the next morning.

here's how the day unfolded:

alt. "alt," as the sp07 book says, "is a multi-disciplinary design company based in auckland." last year, some of the designers that spoke were very unconfident in front of the audience and i was worried the same thing might happen when the guy from alt got up. but while he was clearly more comfortable in front of a mac than nearly 1000 people, his lowkey approach worked really well. he basically just showed us through some of alt's work and it was pretty interesting and amusing. he comes from a fine arts background so there is some nice interplay between art and design in their work.

umeric. "the studio of director ash bolland and designer/art director von dekker." umeric is a motion graphics outfit based in sydney. ash was the speaker and he is nz-born, so the lowkey approach continued. he took a while to get started and his windows-based laptop crashed a couple of times in front of the huge mac-using audience. umeric's work, once things got under way, was impressive - in particular the animation mixed with live action and a project they did for the mtv australia music video awards (pictured) - very cool. ash walked us through the process of creating a few of their projects.

3 deep. "founded in 1996 by brett phillips and david roennfeldt, 3 deep design has established a reputation for uncompromised design excellence, commitment, passion and design innovation." we wondered what the heck was going on when some aussie dude got on stage and informed us that 3 deep were getting a bit bored of presenting at events like this, and had asked him to help them present their work. he then went on to explain that he wasn't from 3 deep before proceeding to show us some of his own work. eventually, to our relief he invited the proper 3 deep guys up on stage. they had decided on an interview format, which didn't really work because the sound was terrible and the mics kept feeding back. their work was ok but i wasn't blown away by it. in the end i decided to go for a walk, go to the toilet and text my friends to meet up for lunch instead. roly left early to go and get some new tyres for his car.

glue society. "a creative agency based in sydney and new york, the glue society is made of 10 writers, designers, art directors and film directors." these guys presented an incredible array of innovative (and sometimes controversial) advertising work. their stuff was characterised by humour and strange twists on reality. faced with a limited budget, for example, for the promotion of an aussie tv comedy show, they hired billboards in about six really cheap locations around the world - including iceland and iraq. the publicity they got from this crazy venture outweighed anything they could have purchased with a bigger budget.

misery. "auckland-based artist, painter and designer of characters misery started out as a graffiti artist, but her many visions of where she'd like to see her art and characters applied have seen her expand into everything from fashion to toys." 'cutely disturbed' or 'disturbed cuteness' are the terms i would use to sum up misery - everything she does seems to exude this sense. she appeared on stage with a guy in a sausage suit playing a ukelele, someone in a fright mask playing one of those sticks with the bottle tops attached to it that you hit on the ground to create a rhythm, a guy dressed up as a mexican wrestler, and three people behind misery-styled masquerade masks. these last three she described as her "minions", pronouncing it with a french twist a la "fillet mignon". it was really quite fascinating although i have to admit that i was distracted by the sausage guy instead of watching misery do her painting demonstration.

made thought. "madethought is a london-based multi-disciplinary design consultancy working in brand identity and development, art-direction, packaging, print and interactive design." this is the one i remember least about. the work was very solid, and the client-base very impressive, but for me, nothing much to write home about.

uva. "london-based united visual artists work with led, traditional lighting and projection technologies as sculptural elements, with their bespoke software approach allowing them to use existing technologies in new and unusual ways." as with last year (when the event ended with taika waititi) the most fascinating speaker was saved for last. uva push the boundaries in what we normally think about in connection with design. while what they do is well beyond the budget or abilities of anything i will probably ever be involved with, they had me captured when they started talking about how they designed the album artwork for leftfield's rhythm and stealth, before going on to design all the stage lighting and special fx for the massive attack world tour and u2's vertigo tour - not only fascinating me with their flashing lights, but also working with three of my most favourite bands in the process. it sounds like these guys trawl the world for cool lighting and video products before combining them in crazy ways for very cool projects. some of their best work also included some public installations, including a couple at the v&a museum in london (pictured). far too cool for words.

thus the day ended, and roly and i cruised back home. main highlights for me: alt, misery and uva (also getting one of my photos into this year's semi-permanent book and scoring a particularly sweet-looking rangefinder camera for $5 at the markets in the square outside the venue). bring on SP08 which, they announced at the end of the day, is likely to be stretched out across two days and include more specialist speakers in the area of photography and illustration and stuff - too much fun.

on the headphones: 'urban getaway' by elemeno p, from the album 'love & disrespect'.

nineteen eighty-four

nineteen eighty-four, by george orwell

you tell yourself that you should read these classic books, and you put it off because even though they are classics you really have no idea what you are going to encounter. i think 'moby dick' has a lot to answer for in this respect. i started reading that book expecting to be absorbed by a rollicking tale of a captain hunting down a particularly nasty white whale. instead, it ended up being 'everything i know about whaling, by herman melville'. terrible tedious stuff with tiny bits of narrative thrown so that melville could claim it was a story. perhaps i've judged too harshly - i never did reach the end (although i intend to one day). but this 'moby dick' gives classics a bad name.

however, i'm into futuristic sci-fi movies and i had an inkling that '1984' was a predecessor to that narrative form. and one day anna was going down to the library and asked if there was anything i wanted. and i thought, "now, what were the books i was going to read?" and i remembered this one.

i started reading it immediately and was pleasantly surprised that 1984 is nothing like moby dick - in fact it is very readable (nearly 200 years of development of the novel form has clearly paid off). it was published the year before orwell died in 1949, and is one of orwell's two most famous novels - the other one being 'animal farm'. as is usual with orwell, the work is very political and allegorical, but that is carried along by good novelistic devices that make the story absorbing.

the book gets a little bit bogged down in one section and part 3 (the last part) is not quite so action-packed. that's all ok though, because the aim of the book is not really to entertainment, but to paint a picture of the distopia that could develop under a socialist totalitarian system. unfortunately the book doesn't have a happy ending, but that suits the story so is probably the best conclusion.

i wouldn't read this if you need cheering up, but if you're into narratives about the future (like me) then definitely get into it. the volume i got was the 'complete novels' and i think i might be back to read more of orwell later.

warandpeace-o-meter: 785/981 (volIII, bookXIII, chapI)

long player by hollie smith

i guess this review is a little late in coming (the album was released a few months ago), but after a long wait i finally picked up this cd at the warehouse last night (thanks to a free voucher i got from answering online questionnaires).

without wanting to provide free advertising for the warehouse (a nz discount retailer), can i just say their prices are amazing for new releases - it looks like nearly everything is NZ$22.95. when i used to work in the music department at the warehouse back in the day, the normal retail price was $29.95 - and even that was cheap compared to other stores that wanted anything up to $33.95. i think this type of price drop is absolutely crucial in this day and age of the digital download, and if the warehouse can do it then there must be a margin, which shows you what the usual mark-up on cds is. with this album costing $17.99 to download on itunes, why wouldn't you fork out the extra $5 and get the cd art and drm-free music?

so anyway, back to the album. hollie smith is hot property in the wellington nz music and has been for quite some time. she released an ep a couple of years ago which was excellent. meanwhile, she engaged in a number of collaborations, most notably fly my pretties. apparently she also had pretty good success with an album of celtic music when she was a teenager (a fact that she is no doubt trying to forget, but you can buy that album from the online shop of historic scotland). after 'long player' came out this year she was promptly signed to a division of blue note records.

'long player' is an incredibly mellow album (maybe a tad too mellow?) that beautifully showcases hollie smith's abilities without overstating them.we have a mixture of 10 cruisey jazz/soul/gospel/funk infused songs. i haven't listened closely enough yet to be able to tell you what she is on about in her songs but it is definitely something soulful. musically, the only disappointment for me was that there is very little dub influence on the album and i love it when hollie sings on dub tracks. but maybe the nz scene has enough dub now (not that i mind - the more dub the merrier).

the album art is also understated but very nice.

'long player' comes highly recommend - great laidback vibe from a supreme talent. get it!

the great nz road trip (highlights package)

[picture: andrew (left) and dave getting rained on while walking on a jetty, taupo. picture by rob]

over the weekend i went on a road trip with my two brothers - rob and dave. i think this was the first time the three of us had been away together on a trip like this, so it promised to be an interesting social experiment. back in the day, when they were roadtripping as younger men i was only about 10 years old. 20 years later we set about planning to drive down to the central plateau of nz to see what we could see. and it turned into rather a good trip. here's the highlights package...

day one: south of rotorua we went to a place called orakei korako (aka hidden valley) - a geothermal area that is supposed to be pretty good. we shelled out our $28 per person (tourist prices) and went across a catchment lake (part of the waikato river) on a little ferryboat to the other side. then we looked at sulphuris formations and various subterranean bubblings. the highlight was a big open cave surrounded by native bush with a blue tinted thermal pool at the bottom.

stayed that night in taupo.

day two: we set out from taupo and headed to the famed horopito motors. weatherwise this was exactly the same type of day as when lance and i went there earlier in the year, except now it was winter - so it was about 9 degrees colder. horopito is always good. and afterwards we took quite a lot of photos in the surrounding landscape. from there we headed to ohakune.

in ohakune we got a brilliantly cheap lunch from the bakery and drove up mount ruapehu. at the top of the road, dave's 'snow warning' went off in his car. it was 1 degree outside and raining/sleeting. well you can't not get out and touch snow when you're up the mountain so we braved the stinging rain for a few minutes. back in the car we decided that the only sensible thing to do in weather like this is to go for a bush walk.

we went down the road a bit and found a nice track to some waterfalls (the waitonga falls to be exact). being in the bush was ok - wet but not windy - until the track crossed open tundra that looked like the marsh scene out of lord of the rings, but colder and without the faces and lights. we got lashed with more sleet and had to concentrate on not getting blown off the boardwalk. back in the bush we descended into a valley. the path ended far too far away from the actual waterfalls for these kiwi blokes, so we bush-crashed up the valley until we were standing right beneath the main waterfall. so now we were being thrashed by the waterfall as well as the rain - refer to mention of temperature earlier to appreciate comfort level - but it was exhilarating and literally breath-taking.

after 2 hours of being out in that charming weather we finally got back to the car and cranked up the heater, which did a surprisingly good job of keeping us warm in our 1 degree celsius rain/waterfall water-soaked trousers.

stayed that night in turangi after driving north up the desert road.

day three: we drove north to a road that travels up the west side of lake taupo. we stopped at an old jetty and took more photos (pictured above), getting more rain on us and spying a picturesque village across the water with a waterfall and church with a high steeple. we worked our way around the lake until we came to the sign to waihi village - the place we'd seen. anyway, further up the road was a big handpainted sign telling us to keep out. before the sign were a couple of great-looking little 1950s holiday cribs which i had to photograph for my safe little world stuff.

standing on the edge of the grass in front of the places, i had taken a couple of photos when i heard a vehicle behind me. anyway, to cut a long story short, it was lady telling me off for photographing private property - the locals clearly sensitive about outsiders in this area. i explained to her that i wasn't doing anything wrong. she told me i had to ask for permission to photograph the buildings. i said, "can i photograph the buildings?" she said, "yes" and drove off. the old killick charm clearly paid off.

then we went further north up the waikato river, taking in a couple of quite impressive dams until we came to arapuni and the enormous swing bridge that i had forgotten was there. we parked the car and walked across the bridge feeling like it was going to collapse at any moment and send us hurtling into the rapids over 50 metres below.

that night back to my parents' place in kaiaua, then back home the next day.

a classic trip accompanied by dave's rather eclectic ipod library (everything from audioslave to hot chocolate and portishead); and apart from one 'discussion' about politics, no arguments...

on the headphones: 'the underdog' by spoon, from the album 'ga ga ga ga ga'.

max

max (directed by menno meyjes)

this is one of those movies with an appealing-sounding blurb that gets negative reviews. admittedly, the only reviews of the movie i'd read were from fellow users of mail-order dvd rental outfit fatso.co.nz. but the blurb won me over and so did the fact that it stars john cusack; i added it to my wait list and it turned up a couple of days ago in the post - no one else wanted it.

let me recap the synopsis that made me want to watch the film: a jewish german named max rothman (cusack) returns from the front having served for germany in WWI. he was an artist before the war but having lost an arm, he sets up an art dealership selling the latest avant-garde modernist art in munich.

against the backdrop of germany's defeat and the severe reparations imposed by the treaty of versailles, rothman comes across a young artist who has also just returned from the front: a corporal by the name of hitler - adolf hitler. rothman tries to encourage hitler to express his angst more fully in his paintings. hitler, however, is also dabbling in oratory and politics, and is caught between struggling to be an artist (an occupation that he genuinely believes he has a calling for) and his obvious abilities for convincing oratory... well, history tells us which direction he headed in.

but this film is fascinating. cusack reminded me why it is that i like his acting so much - he is brilliant in this role - he had me hooked on his character within the first few minutes. the guy playing hitler (noah taylor) was also very good.

i suppose that it helped that i have an interest in art and history, but i found the character studies of this film riveting - both rothman and hitler are tremendously complex characters. and the film ends with a heart-wrenching and ominous conclusion. it is understated, but knowing what happened in actual history makes the film reverberate with meaning.

so, my fellow fatso members, i defy you. this is a great movie.

watch it my friends (especially if you are into modernist art or history).

on the headphones: 'reprise' by hollie smith, from the album 'long player'.

velvet elvis

velvet elvis, by rob bell

i got this book along with 'blue like jazz' from mal and hazel for my birthday. i liked both books, but in a battle between 'blue like jazz' and 'velvet elvis', i appoint 'velvet elvis' the victor.

both books have a similar aim: the subtitle of 'blue like jazz' is "nonreligious thoughts on christian spirituality", 'velvet elvis' is subtitled "repainting the christian faith". in a world where 'christianity' seems to be becoming less popular as it is besmirched by parting ways with the culture of the day and the actions and words of unwise spokespeople, along with a healthy smattering of prejudice and media spin, books like these that try to get back to the essential core of christianity become increasingly important.

rob bell does an excellent, if not slightly controversial, job of refiguring christianity. he expects, and invites, controversy as a way of engaging with the big issues. i found that i warmed to his book more as it went along.

the man has a gift for communicating his ideas and it is easy to see why his 'mars hill' church has grown so quickly. he says things which at first seem controversial, but underneath this surface there emerges a brand of christianity that is actually quite orthodox. i guess i am going to cop out a little and not discuss any of his ideas in detail - it would be difficult to pinpoint one example in particular because the book is so wide ranging.

'velvet elvis' is nicely presented - interesting design, with ideas delivered in short paragraphs and one-liners.

so i recommend it as a way of looking at christianity that avoids a lot of negative baggage. by the end, i found 'velvet elvis' to be one of those books that you feel disappointed about finishing.

highly recommended.

warandpeace-o-meter: 785/981 (volIII, bookXII, chapXIV)

break-dancing, pop punk and the word of God: saturday night at church

adolescent pop-punksters with all the right moves - 'a kiss goodbye' took to the stage under coloured lights. whose idea was it to bring back skinny jeans? but you have to admire the abilities of a guy who can high kick in those suckers.

our converted warehouse church building had the chairs pushed back to create a mosh pit and a space for the O2 dance crew up next. the lino floor is much more suitable for breakin' than the carpet on stage.

nathan, the sound guy, had come straight to the event from fishing, and allegedly smelt like fish. i never allowed myself to get close enough to find out. we did, however, share a moment of hilarity when i joked that he had spent the afternoon as a fisher of fish, but this evening he was a fisher of men (matt 4:19). hahaha! christian humour - priceless.

teenagers are hard to please, and pete the mc for the night gave a talk about crowd participation - "you only get out what you put in" he said.

the youth worship band invited people to come closer to the stage for a praise song and they moved quite quickly after pete's talk.

then, as promised, O2 busted the moves, unleashing a mash-up of street styles, and even staging a battle. youth pastor aaron was obliged to bring the moves himself and later confessed to me that dancing in front of people is his worst nightmare. which made me think, "mate that's a pretty easy worst nightmare". comparatively speaking, he obviously isn't phased by the thought of finding himself naked in front of an auditorium of people (a more popular worst nightmare).

with a punk band and a hip hop dance crew on the same billing there was always the potential for the event to turn into a brawl - how can you have guys with their pants so tight and guys with their pants so loose in the same room without creating ill feeling? however, that clash never eventuated. to be fair, the church setting and christian principles probably helped defuse that explosion. also this the 21st century - we are much more accepting these days...

after the youth band played some worship, aaron again stepped forward. this time he was ready to battle under his own rules, he was back in his element - he was preaching. his sermon was all about not letting your up-bringing (good or bad) be an excuse for where you are at now. it was replete with amusing asides and stories about punching his brother in the windpipe (and vice versa).

afterwards, everyone went out to the lounge and bought hotdogs and other nutritious snacks from the cafe, and pete put a hole in the wall by demonstrating his kick-flip abilities.

stephen tetley-jones, who is famous in nz church circles for a show he used to host on radio rhema, came to pick up his kids. he was rockin' navy-blue nike and wearing one of those head-stockings a la 50cent. he asked me what i was doing at a youth event and asked if i was trying to relive my youth. i pointed out to him that the event was in fact a combined event for the youth and the 18-30 group (but failed to mention that i only fit into the 18-30 group based on a technicality, i.e. that 18-30 means "up to and including 30").

and thus, the night wound up a great success. quietly, in the days that followed, aaron discovered that he had overcome his fear of dancing, and i was surprised the next time i saw him to find he was dressed like this:

[not actual photo of aaron and sarah]

transformers

this is honestly one of the best action/special fx movies i've seen. lance and i headed out to see it a week ago. lance was making a last-minute pre-natal social foray - translated: he's expecting the birth of his second child any day now.

'transformers' is full of action, with very convincing special fx. as you'd expect it has a few cheesy lines, but what surprised me was how amusing parts of it were as well.

lance totally loved this movie, being an original transformers fan and something of a petrol head (car chases and robots!). here's what he had to say about the film:

i thoroughly enjoyed the movie.very good casting, with the two young leads holding their own for the length of the film, with other more experienced actors seemingly playing support roles.

i thought this was a good "re-make" even though it was nothing like the original animated Transformers film, and few key characters did not resemble their original vehicles.

The effects and fight scenes were very entertaining, and the dialogue retained the essence of the 80s Transformers, Good prevails over Evil, and the Transformers are (for some reason) eager to preserve humanity.

I personally LOVED the cars, the old Camaro seemed a great casting for 'BumbleBee' and Optimus Prime's Big Rig featured a stylie modern paint job. Chevy USA obviously threw a bit of weight into the film which gave a bit of 'bling' (for lack of a better word) with a number of Black & Chrome SUV's, trucks, and I even spied a yellow Holden Monaro (badged a Pontiac GTO in USA).

So in summary I loved it, great cars, great cast, fun action film that you actually can take your kids to.

on the headphones: 'never' by terranova, from the album 'b-sides and remixes'.

amazing grace

a couple of weeks ago, aaron arranged a preview screening of the film 'amazing grace' for our church. this is a film about william wilberforce, who helped abolish slavery in england. it is a high-quality production with brilliant english actors. it stays true to the historical culture of the film by remaining british when the temptation could have been to make it more american for a wider audience.

i was particularly affected by the relationship between former slave-ship captain john newton (played by albert finney), who wrote the hymn 'amazing grace', and wilberforce (played by ioan gruffudd - 'hornblower' and 'the fantastic four').

here are aaron's comments on the film:

I turned up at the Amazing Grace movie and was so busy ensuring that our group of 80 knew where they were going and the process of tickets that I had given little thought to the fact that I was actually there to see the movie. Once everyone was seated I shuffled in and found my seat and was surprised to find myself stirred by emotion. The movie was just starting but I could already sense it was going to be a very inspiring story and so it proved to be.

The story of William Wilberforce’s battle to abolish the slave trade was very well told and it managed to capture the type of emotion and passion that drove Wilberforce. As the movie was telling such an intense story it needed a completely believable cast and in this case they exceeded expectation. Each actor seemed perfect for the role they were playing and you would be hard pressed to find a better example of character casting.

The only thing the movie did not really show was just how horrific the slave trade was. While it did make allusions to the type of treatment slave were subjected to I think it could have been even more impacting had there been just one scene that showed what the slaves had to go through.*

Overall was a most enjoyable movie, it is inspiring what change one person can make if totally committed to a cause.

* watch the film 'amistad' for this

the book thief

the book thief, by markus zusak

i can't remember when or where this book first caught my eye, but i always thought i would like it. it is the story of a german girl living near munich during WW2. as the title suggests, she has a knack for stealing books.

finally i got hold of a copy when anna found it in the library at the school where she teaches. when i got it in my hands, it immediately disrupted my reading schedule and pushed other books that were more established in my reading queue further down the line.

i don't know why i thought i would like it, but i was right. i compare it to the book by andrei makine that i read earlier this year ('the earth and sky of jacques dorme'). both books have an alternative view of WW2 and are told in beautifully poetic ways with children in the foreground.

i find it hard to review fiction, because you always seem to have to give away part of the plot in the process. i don't want to do that, because it would be much better to let other people discover it for themselves.

the story unfolds in a wonderful way, making use of asides, definitions, and even some cartoons (you have to see it to really understand what i'm talking about). it's tragic, with moments of humour - the tragedy never overpowers the book or the reader but it never loses its significance either. surprisingly, markus zusak is an australian - so i guess that makes this book australian fiction but it is very european. the copy i read is beautifully designed inside and out - i think this is the australian and new zealand edition. it has been released with a different cover now (see below) which is nowhere near as good - i wonder if they have changed the inside as well. it would be a shame if they have.

i recommend this book very highly and wish everyone would read it. and i will return this copy to the library, but i really want to keep it.

warandpeace-o-meter: 669/981 (volIII, bookXI, chapI)

God is here

God is here, by steve case

i've been a fan of 'the practice of the presence of God' by brother lawrence for about 7 years or so since i read it. it was, without doubt, a book that changed my life. the main idea i got from it (and the one that stays with me) is the concept that God is there continuously - it's just a matter of recognising that fact. we tend to see moments of our heightened awareness of his presence as being the only moments when he is there. in actual fact these moments are simply instances when our senses were turned on to his proximity. he is there all the time.

steve case's 'God is here' is a book that attempts to apply and explain brother lawrence's ideas for a contemporary audience. brother lawrence lived in the 1600s, so you can see why someone might think that his writing needs some interpretation in the 2000s.

anyway, because of my feelings about 'the practice of the presence of God' i approached this book with a couple of thoughts - 1. "this should be good, because it is about such a great book" and 2. "this better be good - the author better not get this wrong."

case does a reasonable job. as usual with american published books, i found myself frustrated with the american context - these books are written with the assumption that all the readers will be american - so we get endless references to 'krispy kream' donuts and such. let's talk about what i'd like to call the 'krispy kream factor'. this is about more than just an american cultural framework. i've noticed recently that christian authors in their anxiety to make their material culturally relevant, lessen the impact of their writing by constantly referring to banal illustrations. you end up with a kind of kitsch image of something profound - like comparing the kind of divine encounters recounted by brother lawrence to sitting on the backporch with a grande starbucks espresso and a box of krispy kreams on a sunday morning. american christian authors seem obsessed with coffee and donuts.

case is trying to apply the ideas in brother lawrence's book to my everyday life. but it doesn't always work because i was first impacted by the unmediated reading of the original (i didn't need anyone to explain it) and also because i don't really identify with the krispy kream factor.

that's my rave finished. all that being said, the book reminded me about brother lawrence and got me thinking about his stuff again. and some of the things that case pointed out were helpful to me.

and, i finished reading this book on the deck yesterday, in the sunshine - which was a blissful experience that proved a lot of what case was saying... enjoy the moments, know that God is there. and i did (without donuts and coffee).

warandpeace-o-meter: 669/981 (volIII, bookXI, chapI)

on the stereo 'to build a home' by the cinematic orchestra, from the album 'ma fleur'.

we were mel gibson

a mel gibson-themed movie review slot for you today...

old 'blood n guts' gibson eh? i'm not a gibson-basher by any stretch of the imagination - he's been involved in some great movies over the years. and you could probably even argue that these are two of them (pictured) but a huge amount of the budget of his films must surely go to the make-up department - in particular for the purchase of 'blood supplies'.

in the great tradition of mel gibson films, blood gushes everywhere in 'we were soldiers' and 'apocalypto'.

the first is the story of a united states cavalry regiment (riding in on newly introduced iroquois helicopters) that goes straight into the middle of firefight with the north vietnamese army. needless to say, the americans are out-numbered about 1000:1 (an exaggeration, but you take my point) and fight for honour, holding out against incredible odds. this is apparently based on a true event. it is quite a good movie, but there are just so many 'firefight' movies about americans against the odds these days (i guess movies about the united states overwhelming lightly armed enemies wouldn't be as exciting. actually it is interesting to note that even though the main strategy of the u.s. military since hiroshima has been been to engulf the enemy in superior firepower, all the movies are about american individuals caught in tricky situations that usually seem to be the result of poor planning in the upper echelons and under-estimating the enemy). the battlefield action in 'we were soldiers' was nicely offset against a subplot about the wives of the soldiers in the regiment.

the second film, 'apocalypto', is set in the mayan world just prior to the arrival of the europeans. city-dwelling mayan folk are suffering from drought and pestilence, so they decide to go and round up a few jungle-dwelling mayan folk to offer up as sacrifices to their god. and so the carnage commences. the story is focussed on a particular jungle-dweller named jaguar paw who is taken prisoner and tries to escape so that he can return to his ruined village and save his wife and child. meanwhile, we are treated to an upclose portrayal of the mayan lifestyle that includes all manner of blood n guts. it is a rather harrowing film to watch, but i think it was worth it and i think i recommend watching it. as was fashionable at the time of the film's release, i recall that mel gibson was accused of racism against the mayans for his portrayal, and i have to say the film doesn't leave them looking terribly attractive - but if it actually is based on historical evidence then so be it.

a strong stomach or desensitised sensibilities probably required to casually watch these films. alternatively you could be prepared to be affected by them.